![]() The GH5 II also has Panasonic’s 5-axis Dual I.S. Meanwhile, the viewfinder is the same as the GH5’s having 3.68-million-dots, an eye point of 21mm and magnification of 1.52x/0.76x (35mm equivalence). However, like the original GH5, the GH5 II’s monitor is on a vari-angle joint that means it can be angled to give a clear view whether the camera is upright or horizontal. Surprisingly, the GH5 II has a 3-inch 1,840,800-dot screen on its back whereas the GH5 has a 3.2-inch 1,620,000-dot unit. However, it benefits from Panasonic’s recent autofocus developments and also gets Head/Body/Animal AF as well as the pre-existing Face/Eye detection. Like its predecessor, the GH5 II a 225-point contrast-detection autofocus (AF) system with DFD (depth-from-defocus) technology. If you need faster frame rates, there’s 6K and 4K Photo mode in which the GH5 II can shoot 18Mp images at up to 30fps and 8Mp at up to 60fps. What has increased though, is the burst depth as the GH5 II can shoot at those rates for up to around 108+ raw or raw and Jpeg files or 999+ Jpegs. Panasonic has also promised a firmware update by the end of the year to enable wired RTP/RTSP streaming.Īlthough the GH5 II has a more powerful processor that the GH5, its maximum continuous stills shooting rate is the same as 12fps in single AF mode and 9fps in continuous AF mode. ![]() Panasonic has enhanced the GH5 II’s live streaming capability and it can stream via a wired or wireless connection to a router or a smartphone running Panasonic’s Lumix Sync app. It’s also possible to display a waveform or vector scope to guide exposure. ![]() Helpfully, there’s a Log Assist mode so you can assess the footage more easily when you’re shooting in V-Log L. There’s also a selection of 4K and 6K anamorphic modes.Īlthough the GH5 II cannot shoot raw video, V-Log L is pre-installed which means that it’s possible capture very flat footage that’s well-suited to grading. If an external recorder is connected via HDMI, it’s also possible to record C4K 4:2:2 10-bit 60p video externally while simultaneously recording in 4:2:0 to the card in the camera. This combination enables the GH5 II to capture 10-bit 4:2:0 C4K (4096 x 2160) video at up to 60fps and 200Mbps or 10-bit 4:2:2 C4K at up to 30fps and 400Mbps. It’s also coupled with the Venus Engine 10 processing engine that’s in the Panasonic Lumix S1H – the company’s full-frame video-centric mirrorless camera. Inside the Panasonic GH5 II is the same 20.3Mp sensor as is inside the GH5 but it has new AR (Anti-Reflective) coating that reduces flare and ghosting. Weight: 727g / 1.60 lb with SD card and battery.Maximum stills continuous shooting rate: AFS/MF: 12 frames/sec, AFC: H: 9 frames/sec (with Live View), 6K Photo: 30 frames/sec, 4K Photo: 60 frames/sec, 30 frames/sec.Touchscreen: 3-inch 1.84m-dot Free-angle touchscreen.Viewfinder: 3.68m-dot OLED with 60/120fps refresh rate.Stabilisation: 5-axis Dual IS II giving 6.5EV shutter speed compensation.Camera type: Micro Four Thirds mirrorless.
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